cavetocanvas:

William Kentridge, Felix In Exile, 1994

From the Guggenheim:

Through his animated films, theatrical productions, and graphic work, William Kentridge addresses the personal and social traumas that are the vestiges of South African apartheid. His ongoing series of short animated films Drawings for Projection (begun in 1989) feature two principal characters, who function as the artist’s alter egos: Soho Eckstein, an avaricious South African mining magnate in a pinstriped suit and tie, and Felix Teitlebaum, shown naked and vulnerable to apartheid’s devastating acts.

In Felix in Exile, the fifth film of the series made between September 1993 and February 1994, Kentridge depicts the barren East Rand landscape as witness to the exploitation of and violence against both natural and human resources. Isolated in a hotel room, Felix peruses the survey charts of Nandi, a young black woman who maps the history of the terrain. Figures and structures are subsumed into the landscape or night sky, allegories for how the land can bear the scars of crimes against humanity.